July 2, 1962
The sleeveless “nothing” sheath, a favorite with Mrs. Jacqueline Kennedy, becomes something dazzling all over in gold beads with extra ribbons of gold beads around arm openings, arms and hemline. The cocktail dress was part of designer Larry Aldrich’s fall collection shown at one of the New York Couture Group’s semi-annual press week shows.
IMAGE: AP PHOTO
Jul. 3, 1962
This double-breasted white wool coat by Originala features subtle shaping, a wide notched collar and fuller than usual sleeves. The costume, topped off by the white mink Cossack’s hat by Lilly Dache, was shown to fashion writers at the week-long parade of fall fashions sponsored by the New York Couture Group.
IMAGE: AP PHOTO
1964
Dramatic or pretty, bare or covered-up, after-dark fashions for fall give women a chance to put their best looks forward. New trends and new versions of holdover themes are being previewed in New York on July 8, 1964, where more than 200 fashion writers are seeing fall fashions in the New York Couture Group’s semi-annual Press Week showings. Among the ideas which pop up insistently are the one-shoulder dress, the deep plunge or wide bare décolletage, pants for at-home wear or, in some collections, to going out, and everywhere, the discotheque dress, usually black but sometimes bright. A huge black satin bow accents the one-shoulder theme in a black wool evening dress by Donald Brooks in his fall collection for Townley.
IMAGE: AP PHOTO
June 26, 1964
A model poses in a design by Anne Fogarty at a press preview fall fashion show in New York City. The slim, sleeveless white wool dress with a high waist is emphasized by a satin pull-through bow. The bulky cape coat is raccoon. The week-long program is sponsored by about 40 American fashion houses.
IMAGE: AP PHOTO
June 27, 1964
Anne Fogarty's discotheque dress, a sleeveless bias cut with a flirty skirt flounce, is shown in New York City for Fashion Week, which begins tomorrow. The knee-length dress has a back bow and is worn with gloves, a brooch and a big puff muff reminiscent of the 1930s.
IMAGE: AP PHOTO
July 8, 1964
A fashion model poses in front of the Regency Hotel in New York City. She is wearing a red and green wool plaid A-line coat, which was modeled for the Carnegie Fashion House at the New York Couture Group's press week fashion show.
IMAGE: AP PHOTO
Jan. 3, 1965
The wide skirt made a comeback with this red, white and blue silk printed dress with white linen jacket, designed by Bill Blass of Maurice Rentner. It was modeled for more than 200 fashion writers for the New York Couture Group's semi-annual press week activities.
IMAGE: AP PHOTO
Jan. 8, 1970
The total look for spring means head-to-toe fashion togetherness. This red and white checked Adolpho ensemble calls for the chiaroscuro look in makeup with subtle shadings of color moving from dark to light. It was one of six moods for the coming season, presented by Coty Originals in New York during the New York Couture Business Council’s National Press Week.
IMAGE: AP PHOTO
Jan. 15, 1970
The “flower face” is one look from Coty shown in New York City, to be presented at the New York Couture Business Council’s 54th National Press Week, which begins on Sunday. More than 40 manufactures will show the coming season’s fashions.
IMAGE: AP PHOTO/LEDERHANDLER
Jan. 7, 1972
IMAGE: AP PHOTO/RAY STUBBLEBINE
Jan. 7, 1972
IMAGE: AP PHOTO/RAY STUBBLEBINE
Jan. 7, 1972
IMAGE: AP PHOTO/RAY STUBBLEBINE
Jan. 7, 1972
IMAGE: AP PHOTO/RAY STUBBLEBINE
Jan. 7, 1972
Off-the-face straw and head huggers are part of the hat for the spring, presented at the New York Couture Council's press week.
IMAGE: AP PHOTO/RAY STUBBLEBINE
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