26.4.14
Scotland and Italy by Thomas Brabazon Aylmer
The British artist Thomas Brabazon Aylmer (1806-1856) painted motifs from Great Britain and Italy, either using oil or watercolor techniques.
O britânico Thomas Brabazon Aylmer (1806-1856) pintou motivos da Grã-Bretanha e de Itália, quer a óleo quer a aguarela.
Thomas Brabazon Aylmer (1806-1856)-‘Edinburgh’
Thomas Brabazon Aylmer (1806-1856)-‘bustling activity on the waterfront, Venice’-oil on canvas
Thomas Brabazon Aylmer (1806-1856)-‘coastal scene with fisher folk’
Thomas Brabazon Aylmer (1806-1856)-‘the castle of Ischia, in the bay of Naples, mount Vesuvius beyond’-oil on canvas Private collection
Thomas Brabazon Aylmer (1806-1856)-‘the Forum, Rome’-watecolor-1853 London- Royal Academy
O britânico Thomas Brabazon Aylmer (1806-1856) pintou motivos da Grã-Bretanha e de Itália, quer a óleo quer a aguarela.
25.4.14
Russian revolution (I) by Ivan Vladimirov
The Russian artist Ivan Vladimirov (1869-1947) painted scenes related to the revolution which in 1917 put an end to the Czar dynasty.
O russo Ivan Vladimirov (1869-1947) pintou cenas relacionadas com a revolução que, em 1917, terminou com a dinastia dos Czares.
Ivan Vladimirov (1869-1947)-‘starving people in Petrograd, 1918’
Ivan Vladimirov (1869-1947)-‘burning royal eagles and portraits, 1917’
Ivan Vladimirov (1869-1947)-‘peasants take away the property of manor estate and go to the city for better life’
Ivan Vladimirov (1869-1947)-‘Petrograd. Evicted family is moving, 1817-1922’
Ivan Vladimirov (1869-1947)-‘dressing the dead horse, 1919’
Ivan Vladimirov (1869-1947)-‘in the basement of the Checka (the All-Russian Extraordinary Commission for Combating Counter-Revolution, Speculation and Sabotage)’
O russo Ivan Vladimirov (1869-1947) pintou cenas relacionadas com a revolução que, em 1917, terminou com a dinastia dos Czares.
24.4.14
Common people by Theodor Axentowicz
The Polish artist Axentowicz Theodor (1859-1938) was fond of historical themes and the daily lives of his country people.
O polaco Theodor Axentowicz (1859-1938) interessou-se por temas históricos e do quotidiano dos seus compatriotas.
Theodor Axentowicz (1859-1938)-‘the omnibus’-oil on canvas Private collection
Theodor Axentowicz (1859-1938)-‘the goose girl’-oil on canvas-1883 Private collection
Theodor Axentowicz (1859-1938)-‘Polish envoy to king Henri III Valois, two words’-ca 1910
Theodor Axentowicz (1859-1938)-‘lyrist and girl’-oil on canvas-1883 Lviv-National Art Gallery
Theodor Axentowicz (1859-1938)-‘blessing of the waters’-oil on canvas Warsaw-National Museum
Theodor Axentowicz (1859-1938)-‘Hutsul funeral’-oil on canvas-1882 Private collection
O polaco Theodor Axentowicz (1859-1938) interessou-se por temas históricos e do quotidiano dos seus compatriotas.
23.4.14
Present and future by Camille-Joseph-Étienne Roqueplan
The French artist Camille-Joseph-Etienne Roqueplan (1802-1855) presents the everyday lives of people who live the present and think about the future.
O francês Camille-Joseph-Étienne Roqueplan (1802-1855) apresenta o quotidiano de gente que vive o presente e pensa no futuro.
Camille-Joseph-Étienne Roqueplan (1802-1855)-‘Marine’
Camille-Joseph-Étienne Roqueplan (1802-1855)-‘small Italian in the Roman Campagna’
Camille-Joseph-Étienne Roqueplan (1802-1855)-‘the fagotiere’
Camille-Joseph-Étienne Roqueplan (1802-1855)-‘the suitor’
Camille-Joseph-Étienne Roqueplan (1802-1855)-‘a sentimental conversation’
O francês Camille-Joseph-Étienne Roqueplan (1802-1855) apresenta o quotidiano de gente que vive o presente e pensa no futuro.
22.4.14
People by Jean-Baptiste-Jules Trayer
The French artist Jean-Baptiste-Jules Trayer (1824-1909) painted various everyday scenes of all kinds of people, mainly from the north of his country: Brittany, Normandy.
O francês Jean-Baptiste-Jules Trayer (1824-1909) pintou várias situações diárias dos povos, principalmente do norte do seu país: Bretanha, Normandia.
Jean-Baptiste-Jules Trayer (1824-1909)-‘Saturday afternoon on the coast of Normandy’-oil on canvas-1879
Jean-Baptiste-Jules Trayer (1824-1909)-‘Breton infants school’
Jean-Baptiste-Jules Trayer (1824-1909)-‘Breton dressmakers’-oil on canvas-1854
Jean-Baptiste-Jules Trayer (1824-1909)-‘the ball gown’-oil on panel-1860 Private collection
Jean-Baptiste-Jules Trayer (1824-1909)-‘the visit’
O francês Jean-Baptiste-Jules Trayer (1824-1909) pintou várias situações diárias dos povos, principalmente do norte do seu país: Bretanha, Normandia.
21.4.14
Crimean war (1853-1856)
The Russian Empire faced a coalition of empires: the Ottoman, the French and the UK. It was forced by the Treaty of Paris to return the south of Bessarabia and the mouth of the Danube.
O império russo enfrentou a coligação dos impérios: Otomano, Reino Unido e Francês.
Pelo tratado de Paris obrigou-se a devolver o sul da Bessarábia e embocadura do Danúbio.
Richard Caton Woodville (1856-1927)-‘the relief of the Light Brigade at the Balaklava’-oil on canvas-1897
Horace Vernet (1789-1862)-‘battle of Alma’
William Simpson (1823-1899)-‘charge of the Light Cavalry Brigade, 25th October 1854 under Major General the Earl of Cardigan at Balaklava’-lithograph from ‘The seat of the war in the East’
William Simpson (1823-1899)-‘British bombardment of the fortress Bomarsund (Aland islands-Baltic) during the Crimes war, August 1854’-lithograph from ‘The seat of the war in the East’
Unknown (19th century)-‘Greek volontiers under Panos Koronaios in Sevastopol during the Crimea war’-1854 Athens-Benaki Museum
William Simpson (1823-1899)-‘embarkation of sick persons at the harbor in Balaklava April 1855’-tinted lithograph
O império russo enfrentou a coligação dos impérios: Otomano, Reino Unido e Francês.
Pelo tratado de Paris obrigou-se a devolver o sul da Bessarábia e embocadura do Danúbio.
20.4.14
Jesus by Bartolomé Esteban Perez Murillo
The Spaniard Bartolomé Esteban Perez Murillo (1618-1682) painted scenes of Jesus Christ’s life since his conception till his crucifixion in Jerusalem.
O espanhol Bartolomé Esteban Perez Murillo (1618-1682) pintou cenas da vida de Jesus Cristo até à sua crucificação em Jerusalém.
Bartolomé Esteban Perez Murillo (1618-1682)-‘Annuntiation’-oil on canvas-ca 1660 Madrid-Museo del Prado
Bartolomé Esteban Perez Murillo (1618-1682)-‘Holy Family with the little bird’-oil on canvas Madrid-Museo del Prado
Bartolomé Esteban Perez Murillo (1618-1682)-‘the two Trinities’ London-National Gallery
Bartolomé Esteban Perez Murillo (1618-1682)-‘Christ child bread distributed to the Pilgrims’ Budapest-SammlungEsterházy
Bartolomé Esteban Perez Murillo (1618-1682)-‘St Francis of Assisi embracing Christ on the Cross’-1668 Sevilla-Museo de Bellas Artes
O espanhol Bartolomé Esteban Perez Murillo (1618-1682) pintou cenas da vida de Jesus Cristo até à sua crucificação em Jerusalém.
19.4.14
Saint Pieter square and basilica in Vatican
The basilica installed by Emperor Constantine was located beside Nero's Circus where St. Peter was martyred. The current one was built on the same site. The city-state is located between 20 and 76 meters high and the Basilica dome 130 meters high.
A basílica instalada pelo Imperador Constantino situava-se ao lado do circo de Nero onde martirizaram São Pedro. Edificaram a atual no mesmo local. A cidade-estado localiza-se entre os 20 e 76 metros de altitude e a cúpula da Basílica a 130 metros.
Caspar van Wittel or Vanvitelli (1652-1736)-‘view of Piazza San Pietro’-oil on canvas-ca 1720 Private collection
Giovanni Battista Piranesi (1720-1778)-‘view of the basilica of St Pieter’s square at Vatican’-etching
George Cooke (1793-1849)-‘interior of St Pieter’s at Vatican’-1847
Giovanni Paolo Pannini (1691-1765)-‘interior of St Pieter’s at Vatican’-oil on canvas Hannover-Niedersächsisches Landesmuseum
Francesco Barbazza (18th century)-‘view of Sistine chapel in the Vatican Apostolic Palace’-etching-1766
Giovanni Paolo Pannini (1691-1765)-‘Charles III at St Pieter’s’-oil on canvas Napoli-Museo Nazionale di Capodimonte
A basílica instalada pelo Imperador Constantino situava-se ao lado do circo de Nero onde martirizaram São Pedro. Edificaram a atual no mesmo local. A cidade-estado localiza-se entre os 20 e 76 metros de altitude e a cúpula da Basílica a 130 metros.
18.4.14
Catholicism by José Benlliure y Gil
José Benlliure y Gil (1855-1937), a native of Valencia, studied with Francisco Martinez Marqués, who acknowledged José’s value and sent him to the Spanish school in Rome (1879).
José Benlliure y Gil (1855-1937), natural de Valência, estudou com Francisco Martínez Marqués, que reconheceu o seu valor e o enviou para a Escola Espanhola de Roma (1879).
José Benlliure y Gil (1855-1937)-'the boys' choir'-oil on panel
José Benlliure y Gil (1855-1937)-'celebrating Santa Maria de la Rosa'-oil on panel Private collection
José Benlliure y Gil (1855-1937)-'hearing Mass, Rocafort'-oil on canvas Valencia-Museo de Bellas Artes
José Benlliure y Gil (1855-1937)- 'the priest's visit'-oil on panel Private collection
José Benlliure y Gil (1855-1937)-'mass in the chapel'-oil on canvas-1871 Valencia-Museo de Bellas Artes
José Benlliure y Gil (1855-1937), natural de Valência, estudou com Francisco Martínez Marqués, que reconheceu o seu valor e o enviou para a Escola Espanhola de Roma (1879).
17.4.14
Winners by Jean-Simon Berthélemy
The Frenchman Jean-Simon Berthélemy (1743-1811) painted famous warriors, well-known saints, and motifs from Greek mythology.
O francês Jean-Simon Berthélemy (1743-1811) pintou guerreiros famosos, santos muito conhecidos e temas da mitologia grega.
Jean-Simon Berthélemy (1743-1811) and Jean-Baptiste Mauzaisse (1784-1844)-'Prometheus creating the man in the presence of Athena'-1802 Paris-Musée du Louvre
Jean-Simon Berthélemy (1743-1811)-'bacchante playing the cymbals'-oil on canvas-1743 Private collection
Jean-Simon Berthélemy (1743-1811)-'Saint Carlo Borromeo attending to the plague victims'-oil on canvas-1778 Houston-Museum of Fine Arts
Jean-Simon Berthélemy (1743-1811)-'Alexandre cuts the Gordian knot'
Jean-Simon Berthélemy (1743-1811)-'Jupiter and Callisto'-oil on canvas Private collection
O francês Jean-Simon Berthélemy (1743-1811) pintou guerreiros famosos, santos muito conhecidos e temas da mitologia grega.
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