Music by Francis Sydney Muschamp

6.5.14

Music by Francis Sydney Muschamp

The British artist Francis Sydney Muschamp (1851-1929) took the music played by young people as a motif for several of his paintings.

O britânico Francis Sydney Muschamp (1851-1929) tomou a música, tocada por jovens, como tema de várias das suas pinturas.

Francis Sydney Muschamp (1851-1929)-‘the recital’

Francis Sydney Muschamp (1851-1929)-‘the piano lesson’-1896

Francis Sydney Muschamp (1851-1929)-‘new music’-oil on canvas-1885    Private collection

Francis Sydney Muschamp (1851-1929)-‘the music lesson’-oil on canvas-18956   Private collection

Francis Sydney Muschamp (1851-1929)-‘the new buttonhole’-ca 1890

5.5.14

My country by Jean-François Daubigny

The Frenchman Jean-François Daubigny (1817-1878) painted various motifs related to sites of his country.

O francês Jean-François Daubigny (1817-1878) pintou variados temas referentes a locais do seu país.

Jean-François Daubigny (1817-1878)-‘boats on the seacoast at Étaples’-oil on panel-1871    New York-Metropolitan Museum of Art

Jean-François Daubigny (1817-1878)-‘the pool at Gyliez’-oil on canvas-2856    Cincinnati-Art Museum

Jean-François Daubigny (1817-1878)-‘the village of Kerity in Briton’-oil on panel    Private collection

Jean-François Daubigny (1817-1878)-‘harvest time’-oil on canvas-1851    Paris-Musée d’Orsay

Jean-François Daubigny (1817-1878)-‘the barges’-oil on canvas-1865    Paris-Musée du Louvre

4.5.14

Drawings of Rome and surroundings by Carlo Labruzzi

The Italian artist Carlo Labruzzi (1748.1818) devoted much of his attention to drawing the sites of the book Via Appia Rome ab urbe ad Capuam (1794) during the expedition promoted by the Maecenas Richard Colt Hoare.

O italiano Carlo Labruzzi (1748.1818) dedicou grande parte da sua atenção a desenhar os locais do livro Via Appia ab urbe Roma ad Capuam (1794) durante a expedição promovida pelo mecenas Richard Colt Hoare.

Carlo Labruzzi (1748.1818)-‘view of the source and of the cavern of Egeria out of the door Capua or St Sebastian’

Carlo Labruzzi (1748.1818)-‘the shrine of Cardinal Reginald Pole’

Carlo Labruzzi (1748.1818)-‘the tomb of Geta and the tomb of Priscilla’

Carlo Labruzzi (1748.1818)-‘temple of the dio Redicolo’-1789

Carlo Labruzzi (1748.1818)-‘road to Albano’

3.5.14

Hand-kissing

The hand-kiss, especially to the ladies, but also to kings, popes, and family members was considered a sign of great respect or consideration.

O beija-mão, principalmente a senhoras, mas também a reis e Papas e familiares era considerado sinal de muito respeito ou consideração.

Edward Matthew Ward (1816-1879)-‘La Fleur’s departure from Montreal’

Camille Joseph Étienne Roqueplan (1802-1855)-‘the stolen kiss’

Vicente Garcia de Paredes (1845-1903)-‘the presentation of the young Mozart to Mme de Pompadour at Versailles I 1763’

Vicente Garcia de Paredes (1845-1903)-‘the arrival’

Pietro Longhi (1702-1785)-‘a nobleman kissing a lady’s hand’-1746

2.5.14

Still life by Frans Snyders

Dutchman Frans Snyders (1579-1657) devoted himself primarily to painting still life scenes with fruit and vegetables.

O holandês Frans Snyders (1579-1657) dedicou-se principalmente a pinturas de naturezas mortas com frutos e vegetais.

Frans Snyders (1579-1657)-‘still life of fruits and veggies’-(1605-1610)

Frans Snyders (1579-1657)-‘kitchen still life’

Frans Snyders (1579-1657)-‘still life with terms and bust of Ceres’-oil on canvas-ca 1630    Philadelphia-Museum of Art

Frans Snyders (1579-1657)-‘still life of fruits and vegetables

Frans Snyders (1579-1657)-‘still life with dead game and vegetables in a market’-1614

1.5.14

Russian revolution (II) by Ivan Vladimirov

The Russian artist Ivan Vladimirov (1869-1947) painted scenes on the consolidation of Bolshevik power after the revolution of 1917.

O russo Ivan Vladimirov (1869-1947) pintou cenas relativas à consolidação do poder bolchevique depois da revolução de 1917.

Ivan Vladimirov (1869-1947)-‘agitator’

Ivan Vladimirov (1869-1947)-‘in search of the escaped Kulak, 1920’

Ivan Vladimirov (1869-1947)-‘forced labor of former Royal Officials, 1920’

Ivan Vladimirov (1869-1947)-‘forced labor of Russian clergy, 1919’

Ivan Vladimirov (1869-1947)-‘the flight of the bourgeoisie from Novorossiysk in 1920’

Ivan Vladimirov (1869-1947)-‘children entertainments’ in the Imperial garden of Petrograd, 1921’

30.4.14

Women by Jean-Jacques-François Lebarbier

The Frenchman Jean-Jacques-François Lebarbier (1738-1826) painted several motifs related to women of all ages.

O francês Jean-Jacques-François Lebarbier (1738-1826) pintou vários assuntos relacionados com mulheres de todas as épocas.

Jean-Jacques-François Lebarbier (1738-1826)-‘the courage of the women of Sparta’-oil on canvas

Jean-Jacques-François Lebarbier (1738-1826)-‘a female Turkish bath or hammam’-oil  on canvas-1875    Private collection

Jean-Jacques-François Lebarbier (1738-1826)-‘Helen and Paris’oil on canvas-1791    Louisville (Kentucky)-Speed Art Museum

Jean-Jacques-François Lebarbier (1738-1826)-‘Jeanne Hachette at the siege of Beauvais in 1472’

Jean-Jacques-François Lebarbier (1738-1826)-‘a Spartan woman giving a shield to her son’

29.4.14

Greco-roman time by Laurent Pécheux

The Frenchman Laurent Pecheux (1729-1821) worked with Greco-Roman themes such as mythology and history.

O francês Laurent Pécheux (1729-1821) tratou assuntos Greco-romanos como mitologia e história.

Laurent Pécheux (1729-1821)-‘the abduction of Helen’-1760

Laurent Pécheux (1729-1821)-‘Venus and Minerva’-oil on canvas-1794    Chambéry-Musée des Beaux-Arts

Laurent Pécheux (1729-1821)-‘Pygmalion and Galatea’-oil on canvas-1784    St Petersburg-Hermitage

Laurent Pécheux (1729-1821)-‘Mucius Scevola threatening Lars Poesena after killing his secretary’-oil on canvas-ca 1802    Torino-Galleria Sabauda

Laurent Pécheux (1729-1821)-‘Daedalus and Icarus’

28.4.14

History and mythology by Gavin Hamilton

The Scot Gavin Hamilton (1723-1798) used historical and mythological scenes in his works.

O escocês Gavin Hamilton (1723-1798) utilizou cenas históricas e mitológicas nas suas obras.

Gavin Hamilton (1723-1798)-‘the abduction of Helen’-oil on canvas-1784    Roma-Museo di Roma in Pallazo Braschi

Gavin Hamilton (1723-1798)-‘Venus giving Helen to Paris as his wife’-oil on canvas-ca 1784    Roma-Museo di Roma in Pallazo Braschi

Gavin Hamilton (1723-1798)-‘the oath of Brutus’-oil on canvas-ca 1764    New Haven-Yale Center for British Art

Gavin Hamilton (1723-1798)-‘woman with a lyre’    Edinburgh-National Gallery of Scottland

Gavin Hamilton (1723-1798)-‘James Dawkins and Robert Wood discovering the ruins of Palmyra’-1758    Edinburgh-National Gallery of Scottland

27.4.14

London by Thomas Bowles

The British artist Thomas Bowles (1712-1767) painted many places in London, using oil, which would integrate his work 'View of London, 1794'.

O britânico Thomas Bowles (1712-1767) pintou a óleo diversos locais de Londres que integraram o seu trabalho ‘View of London, 1794’.

Thomas Bowles (1712-1767)-‘the South West Prospect of London, from Somerset gardens to the Tower’

Thomas Bowles (1712-1767)-‘a view of the Royal Hospital at Chelsea and the Rotunda in Ranelaigh gardens’-1751

Thomas Bowles (1712-1767)-‘a general view of the city of London and the river Thames’

Thomas Bowles (1712-1767)-‘the North West Prospect of St Paul Cathedral in London’

Thomas Bowles (1712-1767)-‘the inside view of the Royal Exchange at London’-ca 1750